At this point, worry, fear, and pain take over. The true power of the word manifests when city dwellers must hide in a bomb shelter while the city is under attack. The books allow Liesel to dream and are a way for Max to “get out” of his hiding spot. Later, she also shares her secret with her friend Rudy and, somehow, with the mayor’s wife. Also with Max, the young Jewish man hiding in her family’s basement. This gesture is significant because Liesel then shares her love of books and words with her family. Thus, they begin to burn books they consider “immoral” and Liesel manages to rescue one. Books are freedom when they lead to thinking, so the Nazi regime didn’t like them. Liesel finds an important way to escape in words and books and learns to immerse herself in other worlds and learn from them.
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The book isn’t a novel or a story, but a simple manual for gravediggers.
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Her father finds it and teaches her how to read. This is because it’s a connection with her past, with her brother. One with an unknown meaning, but means a lot to her. It begs the question: what exactly does it mean to be illiterate?Īt the beginning of the film, Liesel steals a book during her brother’s funeral. Liesel is illiterate and, yet, the other children who can read don’t really know the meaning of many of the words in their vocabulary. This is precisely the message of the film. The children repeat words without knowing what they mean. The indoctrination in the school is also evident. They don’t know Liesel nor what it actually means to be a communist.
Thus, some children insult Liesel by calling her “communist”. It’s unfortunate to witness how children repeat the mean things adults say, even when they don’t even know the meaning of the words. Also, Liesel’s parents were communists, so that label reaches her as well. In addition, she can’t read and her schoolmates tease her about it.
She’s an only child and has already lost the most important people in her life. As we mentioned above, the action takes place within the framework of the city, in the daily life of the working-class families who were caught off guard by the Nazis. This is because they serve as an escape route for the other protagonists to survive in their awful situation. Thus, books are also the main protagonist in this film. However, it does have an important message about the power of words. The Book Thief isn’t a must-see film nor is it one of the most praised films of its kind. Why are they saying she’s a communist? You soon find yourself caught in a story that oscillates between myth and reality, between life and death, through the eyes of Liesel and the voice of death. At first, she feels like a stranger, doesn’t get along with her new mother, and doesn’t really understand how the world works. Liesel, the girl, ends up being adopted by a much older couple. Firstly, she separates from her mother and, later, she deals with the death of her brother. A girl whose life has been unfortunate stands out from among the crowd. Some of the characters know about the rise of Nazism but don’t really know what it entitles while others do and even welcome it. In fact, they continue to go on about their daily lives and won’t know their fate until it arrives. Thus, the film places you in the everyday life of a girl a city whose inhabitants aren’t yet aware of what’s about to happen. He’s definitely around though, but mainly as an omnipresent threat that’s invisible but degenerate. “The only thing worse than a boy who hates you: a boy that loves you.”Īnother wonderful part about this film is that it doesn’t revolve around a concentration camp and Adolf doesn’t make a physical appearance. It’s mainly about accepting the natural cycle of life. The sensitive types may tend to reject this type of film but The Book Thief isn’t exactly a tearjerker. It’s also about the impending death that’s everyone’s fate, that inevitable destiny that’s always lurking around. This film tells a different story about the present, the past, and the future. This is why you might think that The Book Thief, based on the novel of the same name by Markus Zusak, is going to be just another sad story.
However, there are times when you just don’t want to deal with such a bumming subject and that’s understandable. They’re definitely interesting and are a great way to talk about the past and learn from it so we don’t make the same mistakes. It’s not that films on this subject are boring or irrelevant. Stick around though, as you’ll surely enjoy this article about The Book Thief. Thus, you may roll your eyes when you hear that another film on this subject just came out. World War II is a scenario filmmakers have been exploiting for several decades.
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